Posts tagged ‘Hip-hop’
Music Monday: Diary Of A Young Black Male
Herney the Great is no stranger to ObiAudio’s Music Mondays and has released his much anticipated Diary Of A Young Black Male!
Be sure to check it out and support independent artists!
The Marriott Report On…Sample Snitching
Thanks to DJ Joey Joe I was alerted to this post by Kno of the legendary indie hip hop group CunninLynguists. Basically kno is letting it be known that if anymore legal action is taken against him for the obscure samples he uses to create his music that he’s going to retire from hip hop music.
These problems are brought on by sample snitches, the lowest form of sample hunter. The reason I frown upon these so called crate diggers is because they do not follow or at least respect hip hop culture enough to not rat out producers when they post where the samples originate from.
Growing up in in New York City it was a commonly known rule amongst DJs and producers not to reveal each other samples. For some reason this appears to be lost upon the johnny come lately backpacking/hipster douche bags who don’t follow this code for the sake of what they think is a good look. Well guess what asshole, it’s not. In fact you’re fucking up big time by your constant betrayal of both hip hop and sample hunting culture when you reveal these samples on message boards, blogs and YouTube like gossiping little girls. It gets your favorite producers in trouble and you end up looking like the bitchmade punks you are.
Cut that shit yo!
The Marriott Report On…The Music Buying Experience

You know I was just thinking about a radio interview I did with a radio station yesterday promoting my new single “The Champ is Here” featuring Worst Case Scenario and Stop The Gimmicks and one of the questions that stuck with me was about my views on hip hop culture of yesteryear vs hip hop culture of now. Here’s my brief summery;
Yesteryear:
Human Interaction: Back in the days in NYC, the iron horse (subway for you laymen) was an integral part of my record shopping experience. Every weekend myself, DJ Dae One and DJ J. Speed would go to I&L records on Flatbush Avenue and then travel down Church avenue stopping in multiple record stores along the way, then hit Utica avenue to hit up a few spots until we got to Eastern Parkway and then jump on the IRT to the City (Manahattan) and head on over to Rock and Soul on 7th Ave between 34th & 35th and then over to Times Square to the Music Factory and then double back to Downtown records on 28th street and further down into the Village to a few spots on Bleeker street including the iconic Bleeker Bob’s and then we’d head over to Queens to hit up Music Factory on Jamaica Avenue and VP Records and a few spots on Guy R. Brewer which back then was known as New York Blvd.
The thing here was we not only had a relationship with the records we’ purchase but we had a face to face rapport with our vendors as DJs. But DJs weren’t the only ones privy to this very special experience. The record store was also a very cool spot to meet chicks who loved music just as much as you. You also made friends in the record store because someone could know the name of the record you heard at a block party, park jam or on the radio.
Today:
Soulless corporate owned music department outlets. Uniformed guy or girl who’s bitter about their so called fugged up life and pissed off they have to wear a stupid looking logo and engage their customers with the ultra phony “Hi, how you’re doing?” or “How’s it going?”.
But there is another disconnect about this experience that does not feel right about buying music in stores like this. They are sterile in such a clinical way that these stores have no true personality. Thus making the purchase uncomfortable and awkward. But wait what about the internet?
Now let’s get into iTunes for a second. First off iTunes sucks moose c ock! Yeah I said it and if you’re looking at your iPhone or iPod you’re probably saying to yourself, Fugg you Pete Marriott and that’s a natural response because I just told you a simple truth you know. Think about it for a sec, it’s the most restrictive file format and it’s a rather annoying purchasing experience.
But the iPhone and iPod is pretty and what’s pretty is automatically deemed as cool especially when Appholes (my coined phrased for overzealous Apple fanatics) are the Tea Party of digital technology. But there is another reason why I strongly dislike iTunes. It’s elitist and that in it’s self takes the true joy out of music purchasing experience.
Human beings in the digital age are not only physically lazy but mentally lazy in the sense of how we listen to music today. I don’t have to search for music anymore, it comes to me via my Facebook, Twitter feeds and when Hypemachine goes public, god forbid the chaos that will ensue.
The Major Label side of the music industry is trying to save themselves every damn day as more and more shareholders are dumping their stock into these corporations. The marketing companies who’s jobs are to sell you shit that you actually don’t need now have a solid Kung-Fu Death grip on all things hip hop music, so what are we to do?
Do we all run through the streets butt naked screaming the sky is falling or do we make a convergence and empower ourselves and increase the value of our music by creating a new system within that will not only create sustainability but a platform that balances the war between the localization and globalization of hip hop music?
Hack your 3rd Eye first then Hack the business of Hip Hop culture. People who follow the current trends are destined to fail and fall hard, why? Because without truly knowing the rudiments you can’t lead the path to the results you seek.
Music Monday: Pete Marriott featuring Worst Case Scenario & Stop The Gimmicks “The Champ is Here”
DJ Pete Marriott stays working! Here is a new song from him featuring Worst Case Scenario & Stop The Gimmicks!
Pete Marriott – The Champ Is Here by djpetemarriott
Producers Edge Magazine Review
I was given a trial issue of a new production magazine. Now I have not seen a hip-hop centered production magazine since Scratch. With Scratch it started out really good and I had the very first issue. I loved how it was well written, not saturated with garbage interviews and promo and loved how it was catered to the producer in Hip-Hop, but when they got bought out and the new owners (Not going to mention any names) started messing with a winning formula they then started losing readers. Well of course I was one of those readers they lost. So all I have been able to read has been online forums and of course the oldie but goodie. Tape Op and of course my usual Guitar Player. Well to the huge demographic of future hip-hop producers, there really wasn’t anything to cater to us. It is a HUGE demographic to be tapped into.
Well all of a sudden I hear from Griffin Avid, who just so happens to be a writer for the magazine, that there is such a magazine! He quickly sent one to me and I have honestly read it cover to cover 3 times! It is one of the best magazine I have ever read. They had articles that actually appealed to me. Plus they are not over filled with a bunch of short articles that have no use to me or a bunch of advertisements. Not that advertisements are bad, I understand you pay bills with them so i can stand them, but I hate it when you go through 3 or 4 pages straight of them to get to 1 article!
Things I loved about the magazine is they interviewed producers who are legends as well as some who are carving out their legacy. In my first issue there was interviews with legends such as Diamond D and Easy Moe Bee. Then some current Heavy weights 9th Wonder & Don Canon. And to wrap it up there was a interview with the current “Beast of the Beats” Winner The Applejuice Kid. Checked out his stuff online and wow. Great stuff. I love this magazine. I just subscribed to it. I usually don’t subscribe to to many magazines any more but this is one I’ll be reading for a while. There is so much information in this magazine. Plus it isn’t just useless info, it’s all stuff I can use in MY production.
They even went into the reviews and technical info on classic gear like the Emu SP 1200! Then it went right into the interview with Easy Moe Bee who just so happens to use the SP1200. It is just a great thought out magazine made by producers and musicians for producers and musicians! Check it out here at Producer’s Edge Magazine.
Now for the best part of the whole magazine…..It comes with a free DVD packed with demo as well as free software and samples! Has great tutorial Videos and great review Videos! This was by far the icing on the cake! It came with some drum refills made by the great Griffin Avid! This is one of the greatest things any electronic musician/producer can buy. Beginner, Intermediate or Advanced. This and the Beat Tips Manual are on my list to recommend to other producers who want to get started or anybody who just wants to get to the next level in their musicianship and production!





